Saint-Étienne-du-Mont is a church in Paris, France, on the Montagne Sainte-Geneviève in the 5th arrondissement, near the Panthéon. It contains the shrine of St. Geneviève, the patron saint of Paris. The church also contains the tombs of Blaise Pascal and Jean Racine. Jean-Paul Marat is buried in the church’s cemetery.
The sculpted tympanum, The Stoning of Saint Stephen, is the work of French sculptor Gabriel-Jules Thomas.
Renowned organist, composer, and improviser Maurice Duruflé held the post of Titular Organist at Saint-Étienne-du-Mont from 1929 until his death in 1986.

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During the Gallo-Roman era, the Parisii tribe of Lutetia gradually settled a hill on the left bank of the Seine, called Mount Lucotecius. This land was less marshy than their earlier settlement by the river, and became the site of a theatre, baths and villas. In the 6th century, Clovis, the King of the Franks, built a basilica at the top of the hill, dedicated to the Apostles Peter and Paul. Clovis was buried there, along with his wife Clotilde, and several kings of the Merovingian dynasty. Saint Genevieve, the patron saint of the city, who had defended the city against a barbarian invasion, was also buried there. The Abbey of Sainte-Genevieve was founded next to the church in 502, and the church became part of the abbey.
In 1222, as the population of the neighbourhood grew, and particularly to serve the masters and students of the new College of Sorbonne, Pope Honorius III authorized the establishment of an autonomous church, which was devoted this time to St Etienne, or Saint Stephen. The new church was constructed just to the north of Abbey church.
As more colleges were founded and the neighbourhood continued to grow, the church authorities decided to construct an entirely new and larger church, in the new flamboyant Gothic style. In 1492, the nearby Génovéfain monks donated a portion of their land for the site. The work proceeded very slowly. The architect Stephen Viguier planned the apse and the bell tower in 1494, and the first two bells were cast in 1500. The choir of was completed in 1537, and the altars of the apse chapels were blessed in 1541. but as the work continued, styles also changed. In the same year, contracts were awarded to artisans to complete the windows and sculpture, which were now to be in the new Renaissance style. The nave, also in the Renaissance style, was not finished until 1584. The construction of the façade did not begin until 1610, with the first stone placed by Marguerite de Valois. The church was finally consecrated on 25 February 1626 by Jean-François de Gondi, first archbishop of Paris, The ornate carved pulpit was installed in 1651.
During the 17th and 18th century, the church of Saint-Etienne-du-Mont enjoyed great prestige. It was the starting point of an annual procession, carrying the shrine of Saint Genevieve to Notre Dame de Paris, and back. The remains of a number of prominent scientists and artists were interred there, including Pierre Perrault, the painter Eustache Le Sueur and Blaise Pascal. Those of Racine were transferred in 1711 from Port-Royal in Saint-Etienne. In 1744, King Louis XV decided to replace the nearby abbey with an even larger church, which, after many modifications and changes of purpose, eventually became the Panthéon.
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