Old New Orleans Super Tour
In less than an hour you can become acquainted with the history and culture of New Orleans by exploring Jackson Square in St Louis Cathedral the center of old New Orleans this tour is an introduction to New Orleans from precolonial times through Today Jackson Square welcome to New Orleans I hope your stay and our Enchanted city is magical step with me into the Lial space of this swampy City and feel the spirits of all who came before rushing past you this tour dives into the deep so know that your party will resume for
First you must pay homage to the circumstances both happy and wrenchingly sad that built the Crescent City We were colonized more than 300 years ago in 178 and this site on Earth has been a Public Square since shortly after that time it was originally designated in the city plans in 1721 by engineer Pierre leblan deur and his assistant Adrian Depo St Louis Cathedral Stands Tall above the 2 and
1/2 acre open Square magically looming and gleaming white like a cartoon castle the cabildo is to its left and the preteer is to its right both with buildings of Spanish Colonial architecture topped with French maner style roofs beacons of the diversity and mixture of the city they were planted in
In the distance beyond the levy you may be able able to see the ships managing the curve of the Mississippi River also towering above the City Cafe Dand is tucked into its Corner the coffee and chory a constant comforting Mainstay of the center of old New Orleans since
1862 Jackson Square is the focal point of many New Orleans visits in the formal Garden spoorthy scenes in historical weight deserve the Perpetual pilgrimages of partying patrons and that was always the hand of leblan as noted by the historic New Orleans collection in his Treatise on the elements of
Fortification engineer and architect Mr leblond observed that a large and spacious CL arms is more agreeable than a small one it is an ornament for the town moreover the principal buildings like the great church the town hall the government house or the house of the governor ordinarily have their principal
Doorway on the pla STS all this attracts their large Concourse of people it ought to have enough space to be adequate for all that without difficulty this site has indeed been The Concourse of the people location of public punishment celebrations and holiday parades throughout the centuries some of the significant events
That have happened in this space where you stand today are the transfer of Louisiana from France to Spain in the 1760s and the transfer back to France just before the Louisiana Purchase was signed and the Cil building in 1803 the site of the triumphal Arch built for General Lafayette in
1825 a large muster meeting held by Andrew Jackson during the Battle of New Orleans in 1814 the reception of Henry Clay in 1842 the reception of General Taylor in 1847 the reception of Pope John Paul II in 1987 in 2020 the covid-19 quarantine caused a square to be AB abnormally
Desolate until the black lives matter protests and the take them down Nola movement to remove Confederate statues from our public streets brought crowds to once again make use of the prominent public space to voice their concerns while this has been a Public Square for more than 300 years much of
This scene has not changed in more than 150 years but some of it has not changed for thousands of years Beyond Cafe Dand where the French Market sits is the possible site of bulbancha or place of many tongues in a Chaka dialect buano was a seasonal Trading Post where Native
Americans of many tribes for hundreds of miles met to exchange goods and ideas using a Common Language derived from Chaka pre-colonial times shaped the ethos of our current city as we are still a location for seasonal trading of inhibitions and cultural ideas Can You Feel the spirits of our ancestors guiding your journey
Today while the open Square is a constant of Colonial New Orleans it was known as Plaza D armas PL DS and the parade ground before becoming Jackson Square in 1851 Andrew Jackson rears over the gardens in his permanent equestrian pose this area was dedicated to the city’s
Hero of the Battle of New Orleans ignoring his dishonorable role in the of Tears by the baroness pontalba in the mid 1800s during this time the cathedral underwent a major renovation in the church we know today the red brick Pono buildings were built on either side of
The Public Square and the Lacy iron workor the French Quarter is now known for took over the design of the neighborhood Jackson tips his hat toward the upper pantala I’ll tell you a secret my mom a native of this town told me that he was tipping his hat because the
Lady whose Services he preferred for Comfort I.E his favorite sex worker lived in that direction this seems to be an offshoot of the myth often told by tour guides about the baroness pontalba and her secret love affair with Jackson that led to the permanent pose which has
Seemingly evolved into a tale about The Baron’s questionable mixed race and a desire for a permanent out of respect when it wasn’t socially allowed the baroness is life is riddled with interesting Tales without the embellishments as her marriage was not a happy one her murder was attempted and
She is considered by some to be the first woman architect in the United States because of her contribution of the pontalba apartment buildings it is said she rejected all plans and ultimately designed the buildings herself albeit without credit she was also the patron responsible for adding this Monument to New Orleans and her
Father Don Alman is the patron responsible for the cathedal Ral building you see behind it Clark Mills is the sculptor and his Jackson was the first American equestrian statue hoof position in equestrian monuments is sometimes considered standard but rearing with both hoofs off the ground usually means
That the rider died in battle Jackson died of yellow fever before the statue was complete luckily Clark Mills the sculptor of this statue provided an explanation at the statue’s dedication on February 9th 1856 he is quoted in the times pikyu General Jackson is here as he appeared
On the 8th of January 41 years ago he has advanced to the center of the line in the act of review the lines having come to present arms as a salute to their commander who is acknowledging it by raising his shepo according to the military etiquette of the day his rest
Of horse anticipating the next move attempts to Dash Down the Line the the bridal hand of The Dauntless hero being turned under shows that he is restraining the horse whose open mouth and curved neck indicate that he is feeling the bit I have thought this explanation necessary as there are many
Critics who profess to not understand the conception of the artist the statue is depicting the mustard meeting held by Jackson in this place during the Battle of New Orleans Mill’s statue is significant not because of the subject but because of the engineering feat he accomplished with it he was self-taught both in engineering
And Metallurgy the unbalanced metal statue which stands without supports is the first of its kind no one before mills was able to balance a heavy metal cast without some form of support before the inscription the union must and shall be preserved an actual quote of Jackson was added to both sides of
The monument by Union troops occupying New Orleans during the Civil War the pontalba apartment buildings flanked the green space with the original iron workor of the French Quarter on two levels iron work on buildings is not unique to the French Quarter of New Orleans the history of Metallurgy is
Deep in spans continents however the vast amount of iron work in the small neighborhood of the French Quarter is unique there’s no place on earth when iron work on as many buildings in such a small area and much of this Iron Work appeared during the same
Period while it seems to be a forgotten part of our history today we ReDiscover that much of the iron work in the French Quarter was beautifully wrought by enslaved people during the antibellum days in his book negro iron workers of Louisiana 1718 through 1900 Marcus Christian reminds us about this
Forgotten fact Christian points to histories written by Lyall Saxon and Grace King before the 1930s which did not shy away from the Reliance on the work of the enslaved he points to the developed art of metal working on the continent of Africa prior to colonization as a source of the
Expertise after the 1930s history writers scoff at the notion that enslaved humans were responsible for the graceful artwork of the iron in the French Quarter some claim that the iron work was all imported from cevil during this time the 1938 New Orleans city guide specifically claims that the Iron Work
Could not have been done in New Orleans as there are no deposits of iron ore nearby but Christian helpfully reminds us that while the iron ore was imported and the knowledge of the Craftsman who pounded it was likely also imported the finished product was native born Christian also cites the roles of
Freemen of color blacksmiths in New Orleans via the directory information and the federal census showing men in New Orleans whose occupation was blacksmith compared to the slave registers to prove his point that another of the defining aspects of this city was built primarily not by free Artisans and laborers but
Forced via the hands of enslaved humans however Christian does not point out the symbolism embedded in the designs of the rot iron that reveal this fact as clearly as the smell of fresh coffee and sour liquor permeates the square the sacred West African Andra symbols are on display in the graceful curve
Allowing our enslaved ancestors to continue to protect the city centuries later in the Iron Work wrapping the pontalba buildings you can find the monogram AP for Al monaster and pontalba but if you look carefully you can also find Andra symbols hidden in the Iron Work particularly the one meaning that
Which shall not be burned as these buildings were built after the two great fires but still within the memories of the living including this symbol seems particularly significant You’re immersed in Victorian gardenesque Landscaping according to the cultural landscape Foundation this style is defined by colorful Gardens ornly curved cast iron and allowing plants to grow in their natural form instead of pruning however the term gares refers to a plan that is not mistakable for a natural growth pattern Victorian gardes was
Popular in the mid to late 1800s making Jackson Square a cutting Edge example of the style the iron fence surrounding the square and the renovation into the formal Garden was designed by Louie PA in 1851 his work included planting grass trees and shrubs adding the marble
Statues of the Four Seasons found in the four corners of the park and relocating the fountain to St Anthony’s Garden behind the cathedral originally the design for the square was simple with sycamore trees planted along diagonal path the central Fountain was not installed until 1836 but it was removed when the
Jackson statue was added to the center of the square very little has changed since PA completed his Renovations as is confirmed by images from the 1860s in 1895 another Fountain was added that was removed the current Fountain was added in 1960 to honor French president charl deal who visited in the
Early 1970s Carlos Casio a landscape architect from PL renovated Jackson Square removing car excess for three streets surrounding the square and transforming it into The Pedestrian Paradise we know New Orleans is sometimes called the city that care for God and while this attitude can be the most appealing thing
About our culture it can also lead to devastating circumstances in 2023 one of the 150-year-old oak trees in the Square suffering from Bren disease collapsed on a person enjoying the scenery in an aerial image from 2022 you can see the doomed tree Clearly maintaining this Central Hub of tourism in a city reliant on the visits of tourists was seemingly forgotten many Souls have passed through this small piece of Earth and now you know about a few and become one of them take these stories with you as you explore the city your knowledge is a
Relieving bomb that you can share with others you encounter never ruining the magic of New Orleans but adding layers to understand it more Deeply St Louis Cathedral this tour is an overview of the history architecture and art of St Louis Cathedral in New Orleans which claims to be the oldest continually operating Roman Catholic cathedral in the United States it was the first church built in the area that became the Louisiana Purchase this tour focuses on
The craftsmanship of the building and its decorations not the religious veneration of the site you can find a list of sources for this information in the description you will need approximately 30 minutes to complete this tour but please pause to imagine the same scene 150 years ago the
Baptism of Marie Lavo among many other famous or inFAMOUS New Orleans or any other awe inspiring vision that needs to be appreciated we will start outside briefly before you enter the church you’ll see a statue of Pope John Paul II to the right of the entrance the pope
Visited in 1987 and was canonized in 2014 he is the only Pope to ever visit New Orleans but we’ve had many Saints pass through this statue was added in 2018 it is 6 feet tall and features the pope with a little boy and a little girl
It is marble and was carved in Italy by Franco Alis andrini the artist split his time between New Orleans and Italy and worked with the Italian American cultural center add this Monument to New Orleans notice the iron gate and the iron work on the two flanking Steeples
While this is considered one of the oldest churches in the nation the center steeple was added in the early 1800s and the iron work was added around the 1850s when the church underwent major Renovations including expanding the inside to accommodate a growing congregation more on this later the
Barus pontalba who built the apartment buildings on either side of Jackson Square is credited with introducing the iron Trend to the Crescent City in her iron work you can see her initials AP for aloster her maiden name and pontalba her married name if you look closely you can also find Andra
Symbolism from West Africa in the designs particularly a symbol meaning that which shall not be burned the iron work on the church also has distinctive Andra designs It is believed that the symbolism was incorporated by enslaved people who did the work to build the city blessing us with the symbol against another devastating
Fire next we discover the Bell clock and Center steeple according to the official website of St Louis Cathedral a clock maker from New Orleans named Jean de la show obtained the clock for the facade the city council agreed to pay for it because it was a project of General
Civic interest famed architect Benjamin HB lro who is best known for his design of the United States st capital worked with de show to build the Tower and place the clock and Bell in 1819 he was in New Orleans to build a new waterwork system the clock spell is named vikto it
Bears the inscription in English and French brave people of Louisiana this Bell whose name is victory was cast in memory of the Glorious 8th of January 1815 the inscription commemorates the Battle of New Orleans this was lro’s last project before he died of yellow fever however the Bell and& Clock Tower
Collapsed during the renovations of the mid 1800s along with several of the walls the Clock Was dismantled before the renovations and parts were used to make a new clock Stanis Fier was a French clockmaker who came to New Orleans to build a clock in the St Louis
Hotel his new clock in the cathedral used a single mechanism to turn three dials the clock in the church Tower one over the organ inside and one on the rear wall of the church over St Anthony’s Garden the bell tower was rebuilt with a design by architect jnb
Deuer not visible today but beneath the slight tiles of the center steeple is the original intricate iron and Cypress steeple from du pu’s original design it only adorned the church for six years before it was covered with weatherproof slate there are now Seven Bells which still ring out
Hourly according to New Orleans an intimate journey through a city was the pu’s inspiration for the main facade of the building may have been Michelangelo and his design for Basilica D San Lorenzo in Florence due to the center Mass with a pediment the low relief arches and the signature of the
Manner the illusion of grandeur facilitated by making the columns smaller as they go up the facade worship has occurred here for more than 300 years by Europeans those they married and their descendants 10 Generations ations of new orans have been baptized married and sent to the
Beyond at this place but this area was sacred before colonization as well as you enter the church you’ll enter a vestibule that you can pass through with a gift shop to the left you can gather holy relics here as you enter the Nave of the church take a seat in the back
Cool down and take in your surroundings while we discover a brief native history of this place bulbancha is still a place one of the longest standing myths of the Crescent City is that it was established in 1718 before the Europeans came The High Ground in a bend in the Mississippi was
Known as bancha which translates to place of many tongues in Chaka the name b bancha honors the people of this place instead of one rich European who never set foot in this swamp ban still feels like an appropriate name for New Orleans as you walk around the French quter and
Hear the languages from around the world from people who are all seeking the same thing from this hallowed place a seasonal party an infusion of culture many Native New orleanians who can claim eight or more generations of nativity do not know what bancha is this unfortunately lost Heritage is Rich with
The fertilizer that nourishes our current culture and it is ready to be remembered we know that the beautiful Crescent was a trading post and that they selected this place for seasonal trade because of The High Ground Bayou Road which still exists is known as the oldest Road in the city because it
Existed before the Europeans invaded it connects the river to the lake the lake which was called aquada or wide water instead of Poncha train was the shortcut to bancha instead of coming up the mouth of the Mississippi River we also know that like many of you
They did not live here because it is storm-prone and it seasonally flooded before the levies were built geologically this flooding is what formed the land over thousands of years sediments were deposited that stayed after the flooding receded there is no bedrock in New Orleans or any of the Mississippi river valley below the
Mountains of Arkansas but there is silt and sediment approximately 6 M deep on which the city is built and upon which humans of many cultures have celebrated life together for thousands of years on this mud a church has stood and sunk for 300 years it is considered the
Oldest cathedral in continuous use in the United States this is the third version of the church built in this spot this site has been used for a church since the beginning of the colonial days the first was a small wooden structure that was destroyed by a hurricane in the early
1720s leis lenine writes in history history of St Louis Cathedral from 1882 on the 11th of September 1723 a fearful tornado or hurricane devastated The Colony and played particular Havoc with the little city the hospital and 30 houses were swept to the ground as though made of cardboard three vessels
That lay in the river at the time were driven on Shore and houses and crops on the plantations above and below the city irreparably ruined the wind had no respect for the sacred as it blew into Adams the little insignificant Parish Church the first place of worship ever erected in
Louisiana the original structure was replaced by a more formal building in the mid 1720s Adrienne dep designated this spot for a church in his original City plans the second church was burned in the 1788 fire the funding for a new church came from the Alman family who you may
Remember from the pontalba buildings flanking Jackson Square Outside The Baron’s father provided the funding and he is one of the people buried beneath this church the third iteration of the church was completed in 1794 right after the second great fire in the French Quarter the nearly rebuilt church was spared in
The second disaster some might say miraculously as the fire did burn the cabildo next door it was dedicated on Christmas Eve of the same year the second version of the third church was completed around 1819 when the center Bell Tower designed by L tro was added
However much of the church if not all was rebuilt during the restorations in the 1850s the addition of the pontalba apartment buildings led the cabildo and preser to add more prominent rooms to match the Grandeur the church started to look dimentive by comparison so the renovation sought to expand to
Accommodate the congregation and to add a third story to matchet neighbors however during the renovations the wall started to collapse along with the Bell Tower and almost none of the 1794 structure remains this is technically the third version of the third church and dates to about 1851 there are three present day murals
We will explore the first above the altar is 25x 40 ft entitled St Louis King of France announcing the 7 Crusade the second on the ceiling above the altar is called the sacrifice of the Divine lamb and the third in the center of the ceiling is St Peter receiving the
Shepherd staff from our Lord while the ceiling murals were completed in the style of Fresco with paint on wet plaster the mural over the altar was painted on canvas that was attached to the wall to provide the same look as Fresco apparently as a measure against the humid climate that would not work
Well with Fresco style painting St Louis is the namesake for this church there is also a statue of him in the back of the church he was canonized in 1297 the painting above the altar depicts him announcing the seventh Crusade which began in 1248 and ended in
1254 and ultimately was a failure the Smithsonian also includes this description mural depicting St Louis surrounded by his followers on the steps of the Cathedral of notredam as he announced the seventh Crusade the Crusades were Wars that started in the 11th century against Muslims by Western Christians to prevent
The expansion of Islam and reclaim the Holy Land St Louis LED two Crusades the 7eventh and the eth he died during the eth in Africa which was near the end of the period of Crusades based on the sources we have Lewis believed the Crusades to be God’s work and he was
Respected according to the arch dasis of New Orleans the interior of the church was decorated by an Italian artist Francisco zapari zapari appears in the role of artist in the historic New Orleans collection and in the encyclopedia of New Orleans artists from 1718 to 1918 we know from this information he
Was employed at a rate of $1,855 in 1825 which is about $57,000 in 2023 money in the encyclopedia of New Orleans artists the entry for sapari is spelled with a why instead of an i and claims he was the architect and painter who was paid to decorate the interior of St
Louis Cathedral in November December 1825 but we also know that the church was largely rebuilt during the Restorations of the mid 1800s because the structure started to collapse what his decorations looked like and what remains of zari’s work is unclear at least two other artists have completed murals inside the church
Alexandra Boule and arasmus lre other sources claim that Dominico Kenova possibly helped paint the church as he painted murals and churches in Louisiana from 1840 to his death in 1868 which would cover the period of the mid 19th century Renovations in 1905 Willis J rousell wrote in his jings of
Louisiana Illustrated historical sketch of the most illustrious landmarks of New Orleans and the only remaining buildings of colonial days that the murals were completed by eminent artist Casanova whose name has been handed down to posterity and the artistic execution has caused this work to be classed as masterpieces which with the flight of
Time have been secretly preserved up to this present day some few figures however were replaced by new subjects more in cing with the ideas of the 19th century While others were retouched by the artist arasmus umre the colors having become faint with age Alexandra Boule is the artist who is
Recorded to have painted the interior mural girls during the 1850 Renovations we have no record of Kenova working on them bou’s art is vividly described in an article from the times pyun the original mural over the altar was St Louis offering his crown to the Virgin
Mary and a group of angels with one crowning Lewis with a laurel wreath there were also murals of faith hope and charity represented by full figures and their emblems the four evangelists and St Cecilia playing in organs surrounded by angels arasmus umbre did more than touch up
These murals he repainted the mural over the Altar and the frescos in 1872 when the artist arrived in New Orleans the mural announcing the seventh Crusade is signed e umre 1892 with binoculars you can see the signature on the lower left hand side of the neural to the left of the Soldier’s
Shoe we no longer have the painting of faith hope and charity but the four evangelists are still in the ceiling murals and St Cecilia is still still over the choir loft in an advertisement from June 10th 1877 in the morning in Catholic register e umre takes credit
For the art the ad reads Southern religious artist e umre Fresco painter having given entire satisfaction to his many patrons has been encouraged to open a studio at 76 coret Street between pyris and pero streets residence 390 good children Street Third District for the display of his paintings he is
Prepared to execute orders for all kinds of work including life-size pictures for churches Stations of the way of the Cross banners Etc as also for fres goinging churches prices adapted to the present circumstances of our people and consequently below those charge for the same works as per cataloges from the
North refers to his grace the most Reverend Archbishop and to the clergy of New Orleans and to his fresco paintings in the following churches Cathedral St Augustines and Holy Trinity the public are cordially invited to visit Mr umre studio and examine his Works Restoration in the mid 1990s was completed by the Conrad Schmidt Studios because a 24t chunk of plaster fell from one of the murals a 1995 article in the time piun provides the full explanation the damage mural is called sacrifice of the Divine lamb umre painted it on the
Ceiling as part of extensive Restorations to the cathedral in 1872 he apparently restored his own work 20 years later in 2023 Gail Benson owner of the new Orland Saints American football team made it her passion project to once again restore the ancient Church she is fundraising for a full
Restoration as the church is sinking and causing structural damage as well as dam to the art turning back to the art sacrifice of the Divine lamb is the mural that appears on the ceiling above the altar it depicts God the Father with a lamb on an altar holding a golden
Cross 12 Kings surround them with two Angel figures holding a banner that reads in French Behold the Lamb of God who takes Away The Sins Of The World the Mena or altar table is white marble supported by Four kaded Angels behind is a classical and taure and pediment with six fluted Corinthian
Columns supporting and the Sacred Heart of Jesus in the center of the pediment the freeze below the pediment reads behold the bread of Angels in Latin statues of St Peter on the right and St Paul on the Left Flank the inature the three sculptures on top are
From left to right hope faith and charity around the sanctuary you’ll find the inscription in Latin my blood is drink indeed I am the way the truth and the life my flesh is food indeed the altar was constructed in Gent Belgium by Louie Gil research on the Altar and alar
Screen will produce references that claim they are Baroque or Roco in design an example of Baroque architecture is the colonade around St Peter’s basilic in Rome by berini so there are clear similar ities Roco is the art movement following Baroque with more elaborate and Whimsical designs so the references
To R hoko style are also clear however Greek Revival architecture was most prevalent at the beginning of the 19th century the classical inature impediment over the Corinthian columns seems to point to Greek Revival as the inspiration over other Styles notice the large wooden scallop shell above the lectern this unique design was thought to work to amplify sound before microphones there are now microphones in the church as well as numerous screens to make it easier to see and hear the proceedings but this architectural feature remains on the left of the altar
Sits The Bishop’s chair moving up along the arch of the sanctuary the inscription translates to holy holy holy Lord God Almighty the painting in the center of the ceiling entitled St Peter receiving the shepherd staff from our Lord Bears a French inscription which translates to
Feed my Lambs feed my sheep St Louis was known to care for the poor and hungry the top of the painting depicts God the Father surrounded by disembodied Angels but the Holy Spirit portrayed as a white dove flanked by two angels with bodies and the banners bearing the inscription
All reigning above an ancient city scene with sheep and a cross in the background Jesus stands center of the Mortal realm with a staff and 11 Apostles surrounding him I could not find an explanation or description of the painting so this is my own interpretation the apostles are mostly
Depicted on opposite sides of their corresponding representations in the Last Supper by Leonardo da Vinci Peter is to Jesus’s left and holds two Cross Keys and is receiving the staff from Jesus next to him Andrew holds a fish to his chest between Jesus and Peter doubting Thomas sits with his head
Slightly bowed James stands holding a Bible next to him Bartholomew is next to James to Jesus’s right John yields in worship beside him James the less is barely visible in a maroon robe with his face away from the viewer and his hair dark he sits next to John Simon sits
Closest to us with his hand on a rock and his left hand holding a Bible Matthew stands second from our left with his arms wide talking to Jude who is at the far left of the painting on Jesus’s right Philip stands to Matthew’s left with his hands folded in
Prayer there are four medallions surrounding this Fresco which house the evangelists Matthew Mark Luke and John in the niches between the columns you’ll find 10 of the 12 apostles St Peter is painted on the ceiling of the Altar and Judas is left out moving down to the balcony level or Gallery supported by
Iic columns the gallery ceiling features the archbishops of New Orleans flags on the right of the Nave show the flags that have ruled over New Orleans since this site of warship was established including the French Flor the Spanish flag the English flag the Napoleonic France flag the early United
States flag and the flag of the West Florida Rebellion flags on the left are associated with the Catholic church in the dases of Louisiana the gallery is supported by dor columns on the ground floor other paintings on the ceiling are Archangel Michael slaying a dragon above
The choir and the Holy Family at the front of the Nave in the early 20th century another hurricane damaged the church during the renovations an explosion occurred in the church the the main damage cause was blowing out the stained glass windows according to the news article this was confirmed by a 21st century
Archaeological dig after Hurricane Katrina which discovered many glass fragments in St Anthony’s Garden the stained glass was added in 1929 it was produced by the oitan studio of linck Germany there are 10 stained glass windows with detailed depictions of the life of St Louis I 9th feel free to move around the church and pause the tour to see the windows more
Closely with respect as I describe each to you starting from the left side front to back number one St Louis and his mother St blanch of Castile number two coronation of St Louis King of France 1226 number three the marriage of St Louis 12:34 number four 4 King Lis I 9th
Builder of s Chappelle 1241 number five St Louis sails for the Crusade 12:48 on the right side facing the altar back to front number six St Louis receiving the king of damietta 1249 number seven St Louis visiting the lepers number eight the sickness and death of St Louis 1270 number nine the burial of St Louis 1271 number 10 the canonization of St Louis
1297 as you finish the last sand glass window you’ll be in St Joseph’s Chapel on the right of the sanctuary here you’ll find the baptismal font which is one of the oldest artifacts in the cathedral dating to Al manaster original Third Church from 1794 this is the font used to baptize
Catholics in New Orleans for 229 years including notorious citizens like Marie laau and common citizens like many and slave children and the Immigrant Italians at the beginning of the 20th century Al manaster grave is located on the floor here above is a statue of St Joseph entitled Foster father of Jesus
And above the statue is a painting of St Francis receiving the Stigmata which is said to have been from Belgium and in this location since 1851 St Louis was a Franciscan the marble floor of the center aisle was designed by a free man of color in 1851 Eugene warberg was a marble
Sculptor and cutter initially I could not locate him in the encyclopedia of new Orland artist but he is listed along with his brother who probably completed his design according to a post by the historic New Orleans collection Eugene proposed this design in 1851 during the expansions he was born into slavery in
1825 his father was a German Jewish businessman who freed his son in 1830 Eugene also created busts tombs and statues however he left New Orleans in 1852 due to the quot worsening racial situation for free black men in the South un his brother Daniel took over his
Shop as you exit on the back left side of the Nave make sure to stop by the prayer room opposite the gift shop of the venerable andrietta deil this was the baptistry previously but now it serves as the sacred Chapel to one of the most prominent Catholic New Orleans
A cre woman of color andrietta founded the sisters of the holy family which is one of the oldest surviving congregations of African-American religious orders she is being considered for canonization by the church and once her Miracles are proved she will be the first African-American Saint ever thank you for joining me on this
Tour of the center of old New Orleans I hope you enjoy your stay in our beloved City May the magic of New Orleans live in you Forever Oh
Even before colonial days, the area where Jackson Square and St. Louis Cathedral sit was the center of the city. From Bulbancha to today, explore the center of old New Orleans in this free tour updated for 2024.
Sources:
https://noladeeptours.com/st-louis-cathedral-art-and-architecture-tour/
https://noladeeptours.com/jackson-square-history-art-and-architecture-tour/
Music:
Birth of a Hero Bensound.com License code: RFG5KEKMNHOWORLJ
Murder on the Bayou by Bryan Teoh
River Meditation by Jason Shaw
Painting Room by Kevin MacLeod
Shaving Mirror by Kevin MacLeod
Nostalgic Piano by Rafael Krux
Water lilies 4 by Kevin MacLeod
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